Author: Luke

A great, short essay on preaching from one of the best…

Compliments to the good reverend Tom Schiave for the information…

Year          Income          Expenses          To the Poor
1                 47.40          44.24 (93%)          3.16 (7%)

2                94.80          44.24 (47%)          50.56 (53%)

3               142.40         44.24 (31%)           97.96 (69%)

4               189.60         44.24 (23%)         145.36 (77%)

Later      2212.00         47.40 (2%)         2164.40 (98%)

Another poem from the man, the myth, the small scale farmer, Wendell Berry.

We who prayed and wept
for liberty from kings
and the yoke of liberty
accept the tyranny of things
we do not need.
In plenitude too free,
we have become adept
beneath the yoke of greed.

Those who will not learn
in plenty to keep their place
must learn it by their need
when they have had their way
and the fields spurn their seed.
We have failed Thy grace.
Lord, I flinch and pray,
send Thy necessity.

I read recently that many bird species now sing at night in our cities.  The day is so filled with the noise of people coming and going, with the sounds of shops and shoppers, that the birds must sing at night in order to be heard.  The honest songs of nature are drowned out by the din of our commerce.

In a world full of salesmen, where everything seems to be an advertisement for one thing or another, the interrelated questions of sincerity and character often seem to be fading in significance.  We are a people who have forgotten who we really are behind our own sales-pitches.

The film “The Big Kahuna” makes my list for its focus on the question of sincerity and character, as shown in the following clip alone.  The story follows three salesman who are on the road, waiting to make a sales pitch to the CEO of a large company.  Tension builds as the young, pious baptist unknowingly befriends the CEO, but rather than talking business, asks the CEO about his faith before sharing his own belief in Jesus.

I’ll let the clip speak for itself, but it makes me wonder how often the church is guilty of adding to the noise, as the young, baptist salesman is accused of doing.  In a world so full of people just waiting for their turn to speak, and usually speaking in order to sell you something, I wonder whether the church might better witness to Christ by simply taking a step back and listening.  Or perhaps listening and asking the right questions, questions that give people space to think about what is going on in their life, what is truly important, and who they are.  That moment of silent receptivity may be what people need in order to then hear what is being said.  I’m beginning to think the most “prophetic” possible act in our culture may be to simply slow down and listen to the voices usually drowned out by the noise, including the honest songs of birds.

I also think the film is brilliant for connecting sincerity to character.  Our culture tries to produce artificial character instantaneously like we would a twinkie.  As a consequence, one usually gets a reputation for being of good character more often than not by just hiding their s@%& better than average.  One of my favorite line from the film is when Phil tells Bob, “I’m saying you’ve already done plenty of things to regret, you just don’t know what they are. [Character] is when you discover them, when you see the folly in something you’ve done, and you wish that you had it to do over, but you know you can’t, because it’s too late.”

The more years I have under my belt, the more I screw up and the less excuses I have.  At the same time, the more I realize what true wisdom means, what character means.  If such a simplistic division can be made by someone as young as myself, I think the first half of your life is spent learning to be honest with yourself about who you are, and the second half is spent learning to be okay enough about it to open yourself to God and a community.  Character, then, is the honesty that comes from humility, the humility that comes from honesty.

I decided not to take the time to organize my thoughts better, hopefully the big picture behind the disconnected thoughts makes sense.  Go rent the movie, whoever produced it deserves a little of your money.

This entry is a sort of preface to a series I’ll be beginning next week:  My Unabashedly Biased Top Ten Spiritually Significant Films of the Past Two Decades.

While I was writing about the first film on the list, the video (at the bottom of the post) of Mark Driscoll’s comments on “Avatar” during a sermon came to my attention.  Instead of spending much time criticizing it, I’ll just present it below and add that, based on Driscoll’s criteria for accusing “Avatar” of being demonic, “The Lord of the Rings” series should be seen as an equally pagan, modernist-industry bashing movie that hooked audiences through special effects.  Hopefully the absurdity here is evident.  Especially since it seems to go against some of Driscoll’s own comments concerning cultural engagement.

Though he may not appreciate the category, Mark Driscoll is, here in this one video clip, a poignant example of someone who is taking a “Worldview Approach” to cultural engagement.  He sees the world as a battleground between competing worldviews.  One convinces another to become a Christian by pointing out the flaws in their worldview and demonstrating the reasonableness of their own.  Part of a pastor’s job is to attack worldviews that may be influencing his flock.

Another typical evangelical method of engaging culture is known as the “Market-Driven Approach,” or also the “attractional model.”  In this method, one sees what is culturally popular and attempts to use that as bait to draw people in.  For example, there is (was?) a church in Chicago that regularly has a raffle for cash prizes (with the “Price is Right” music playing in the background, nonetheless) during services in order to attract people to attend their church.  There’s nothing more popular than money, and as long as it gets people in the door…

The last method I wish to highlight is what New Wine tries to espouse, however unsuccessfully, the “Incarnational Approach.”  The Incarnational Approach (also known as missional), looks to build relationships in the community.  While hopefully also showing the reasonableness and attractiveness of the faith, one simply loves other people in word (and so verbal evangelism is not left behind) and in deed.  Despite the fact that this seems to more closely resemble Jesus’ and the apostles’ ministry, people are rarely argued into a different position anyway (especially emotionally laden beliefs like religion or politics), and rarely stick around when the “raffle” is over.

I hope the following series will be an imperfect example of how the church can engage the arts, and specifically films, in an incarnational way.  I hope it shows how each of these films get at profound questions that the gospel is dying to answer.