The Tree of Life

There are two ways through life, the way of nature and the way of grace.  We have to chose which one we’ll follow. Grace doesn’t try to please itself.  It accepts being slighted, forgotten, disliked.  Accepts insults and injuries.  Nature only wants to please itself.  Get others to please it too.  Likes to lord it over them, to have its own way.  It finds reasons to be unhappy when all the world is shining around it. And love is smiling through all things.”

These are the words that fall from the lips of Mrs. O’Brien in Terrance Malick’s latest film, The Tree of Life. There are not many words I can use to describe this cinematic adventure except to say that it is something that must be experienced rather than explained.  The Tree of Life is a very important film.  It features an all-star cast of Brad Pitt (Mr. O’Brien), Sean Penn (Jack O’Brien), and Jessica Chastain (Mrs. O’Brien).

Serving as a prologue, Malick begins by quoting of Job 38:4 and 7 where God asks Job where he was when the foundation of the earth was laid.  The opening sequence suggests a family member has tragically died.  As time passes, we find a very candid Jack O’Brien as a successful New York business executive.  During a phone conversation with his father, Jack expresses that he thinks about his brothers often and loves his family.  However, it is apparent by Jack’s tone and mannerisms that he is struggling with the meaning of life and the love of God.

The film then switches gears and by creating a visual masterpiece Malick follows the evolution of nature starting with the cosmos and ending with the birth a human (Jack O’Brien.)  If Malick’s tour-de-force doesn’t get an OSCAR nomination for it’s cinematography, myself and many critics alike will be quite shocked!  The film’s use of imagery is absolutely breathtaking.  For the first 30 minutes, we see a visual depiction of nature.  Malick displays (at least I think so) that nature doesn’t care about the others involved but instead let’s survival of the fittest run its course (here we even see Dinosaurs!)

While the film relies on little extensive dialog, Malick weaves a stunning masterpiece of aesthetics that go beyond the limits of story, while the limited dialog presents the two proposed dualities as experienced by a young Jack O’Brien in his boyhood.  From the beginning of the film we can see that Jack believes that God is love.  In one particular sequence we see an infant Jack and his mother pointing to sky and exclaiming, “that’s where God lives.”  Jack wrestles with nature and grace, life and death, and love and pride.  A young couple, Mr. and Mrs. O’Brien model the polarity of nature and grace to young Jack.  Mrs. O’Brien models a life of simplicity, beauty, and love, and reminds her sons “unless you love, your life will flash by you” whereas Mr. O’Brien is a stern authoritarian who demands his sons call him “Sir” when addressing him and tells them that “it takes a fierce will to get ahead in this world.”

Throughout the film we see a battle of Jack’s affections.  He is torn between his desire to embrace the love and gentleness of his mother and but to also gain the approval of his father, who isn’t so gentle.  He holds his parents in tension, exclaiming “Father. Mother.  Always you wrestle inside me.  You always will.”  After his first experience with pain, loss, and suffering Jack begins wrestling with who God is, asking how a loving God could allow such affliction and why he has to endure the hardship of his father’s rule.

We are then returned to the opening scene of an adult Jack, but this time walking through the frame of a doorway into a desert like terrain.  Malick, I believe, is visually illuminating  the O’Brien family’s emotional subconscious, and displaying “the way of Grace.”  The final twenty minute sequence appears this way.  Some may say the story is open ended and leaves you hanging, but in terms of the nature/grace polarities the film flows quite well, almost like movements in a symphony.

As mentioned before, The Tree of Life is best described as something that must be experienced rather than explained.  It blurs the lines of narrative between word and picture and written and visual.  I think it has much to offer us in our Christian walk.  As we see the experiences of a young Jack O’Brien, we cannot help but see ourselves in his place.   The film wrestles with questions that have been asked for centuries and it sheds light on what the love of God might look like if we were able to see it and can’t help but make us think of life in the Kingdom of God.   In our most vulnerable state, God finds us and brings us into a family of eternal and communal love.  As fallen humanity, we wrestle with submitting to God’s love or submitting to our own nature of selfishness.  Just as grace “doesn’t try to please itself, it accepts being slighted, forgotten, disliked”, so it is with Christ.  Christ didn’t seek to please himself, but he accepted being forgotten and disliked so that we could enjoy a restored relationship with Him.  I suppose if I were to rephrase the opening quote, it would read,

There are two ways through life, the way of selfishness and the way of Christ.  We have to chose which one we’ll follow. Christ’s way doesn’t try to please itself.  It accepts being slighted, forgotten, disliked.  Accepts insults and injuries. Selfishness only wants to please itself.  Get others to please it too.  Likes to lord it over them, to have its own way.  It finds reasons to be unhappy when all the world is shining around it.  And Christ’s love is smiling through all things.”

God desires to extend his grace to all of us through Christ, and The Tree of Life gives us just a mere snapshot of that grace.

The Tree of Life at IMDB

Overjoyed by Death? A response to the death of Osama bin Laden

Recently I viewed ABC’s World News special report on the assassination of Osama bin Laden and I was struck by a passing comment by correspondent Pierre Thomas when he said “officials are overjoyed by bin Laden’s death.”

“Overjoyed by death?” Really? Is that possible? I’m not sure if such a response can rightly exist. It sounds like an oxymoron. Never in my life had I ever heard anyone say that they were “overjoyed” by someone’s death.

Now, I believe Osama bin Laden was a horrible tyrant and that he knew this day was coming. I share the peace that the families and loved ones of the 3,000+ victims of 9/11 must feel knowing that the man responsible for their death has been brought to justice and is no longer a threat to their well-being. But the idea of being “overjoyed” by death seems a bit out of focus. Now, more than likely Pierre Thomas and other news reporters were probably at a loss for adjectives for describing the peace and comfort we feel and I give them all the benefit of the doubt. Their words are not held against them.

But with such a comment the question now arises, was Osama bin Laden above redemption? Were his sins too great for us to show him grace? The answer of course is no. Christ died to take away the sins of the world, including the sins of mass murder by Osama bin Laden.

The fact that Osama bin Laden is dead is not something we should feel joy about. We can feel joy that the threat of his influence and networking of terrorism is gone. We can rest easy knowing that justice was served and that the threat of terrorism has been greatly reduced, at least in the short term. This is something we can be overjoyed about. But we must not forget that Osama bin Laden was also created to be a child of God. He was created to love God and be loved by God and give God glory by loving Him. The God of the universe created Osama bin Laden to be in a mutual love relationship with Him and bin Laden rejected that invitation. Because of such selfishness, he murdered millions in the name of a false God and false hope and this ultimately led to his own death. His death is not something we should be overjoyed about but instead it should grieve us as Christians. Osama bin Laden was loved by God, just like us. We must remember that our sins are no different than bin Laden’s, though we often express godless passions of murder in our hearts and not with our hands.

It is saddening that Osama bin Laden rejected God, rejected love, and rejected grace in exchange for hate, selfishness, greed, and envy. Now he is in God’s hands and has been judged by a holy God who is loving and because of that love will give bin Laden what he wants, which is selfish and egocentric love and the removal of God’s relational presence in what Christians call Hell.

Osama bin Laden chose death instead of life, but that is not what he was created for. He was created for life and it saddens me that death has defined him.

I commend the President for his courageous efforts in finding bin Laden.

I applaud the team of NAVY SEALS who risked their lives bringing down the world’s most wanted murderer.

I salute those all the men and women of our country who have lost their lives in defense of freedom, having fought the many agents of bin Laden’s terror networks. Likewise to those who have fought and returned (some of them friends) and also those who are continuing to fight.

I mourn with all of the families of the 3,000+ lives lost on that sad September morning 10 years ago.

I admire all those around the globe who did not back down in the face of terrorism and violence but instead united and rose up to proclaim freedom, peace, love, and grace.

I honor those members of Osama bin Laden’s family who greatly disagreed with him and stood for justice and peace in condemning his words and actions and supported our efforts to bring him to justice.

And I proclaim that God is bringing about resurrection and redemption to his broken world and is recreating us as we seek to participate in His grand story.

While the death of Osama bin Laden comes in the name of justice, we must remember that we are not called to rejoice in death but to inhabit and embody life that is brought about by the resurrection of Christ. We must be overjoyed by new life.

The Aaron Gillespie Interview

I was blessed to spend time with former Underoath drummer/ The Almost frontman Aaron Gillespie and talk with him about his views on worship and where his story has taken him.  Aaron recently released his first solo worship album, Anthem Song, and recently wrapped up a 2 month tour in support of that record.

Interview with Aaron Gillespie

This interview comes in anticipation and promotion of New Wine’s Summer conference, Worship 2.0: Culture, Community, and Communication.  (click for more info).  Pre-registration is open now!

Review of Anthem Song here

Check out Anthem Song here

Check out The Almost here

Sojourners: Is The “Emerging Church” for Whites Only

The following is an article that recently appeared in Sojourners Magazine:

NOTE: THE VIEWS AND OPINIONS, PUBLICATIONS, AND ORGANIZATIONS REFERENCED IN THIS ARTICLE ARE THE SOLE OPINIONS OF THE ORIGINAL AUTHOR(S) AND DOES NOT NECESSARILY REFLECT THE VIEWS OF NEW WINE, NEW WINESKINS OR MULTNOMAH UNIVERSITY.

Is the Emerging Church for Whites Only?

To survive in a quickly diversifying global church, the emerging church movement must do a better job of opening up its doors — and pursuing justice.
By Soong-Chan Rah and Jason Mach, with responses by Julie Clawson, Brian McLaren, and Debbie Blue

At the turn of the millennium, I (Soong-Chan) began hearing a lot about the “emerging church.” It seemed that everywhere I turned somebody was talking about the emerging church. A clear definition of the term was elusive (see “What is the Emerging Church?” by Julie Clawson, below), but the emerging church seemed to reflect ministry and theology rising out of the generation after the baby boomers. In particular, the emerging church was Western Christianity’s attempt to navigate through the context of an emerging postmodern culture.

At the time the emerging church was coming into vogue, I was pastoring a multi-ethnic, urban church plant in the Boston area. It seemed that every brochure for nearly every pastors’ conference I received featured the emerging church. As I began to attend some of those conferences, I noticed that every single speaker who claimed to represent the emerging church was a white male. A perception was forming that this was a movement and conversation occurring only in the white community.

On one occasion, I was at an emerging church conference and was told directly that non-whites were not of any significance in the emerging church. Granted, this was one specific instance, but it led to the sense that the emerging church was not a welcoming place for ethnic minorities. At another conference, on the future of the church, one of the speakers invited up a blond-haired, 29-year-old, white male, replete with cool glasses and a goatee, and pronounced him the face of the emerging church. “This guy is a great representative of the future of American Christianity.” I cringed. In terms of the public face of the emerging church, white males dominated. It seemed like the same old, same old. As per the lyrics by The Who: “Meet the new boss, same as the old boss.”

When Professor Rah was writing The Next Evangelicalism, he asked me (Jason) to visit a number of Web sites for emerging churches. I discovered that the large majority of emerging church leaders were white 20- to 30-year-olds. Photos showed people in trendy clothing, sporting cool hairstyles and eyewear.

Some might respond, so what? If the majority of people to whom the emerging church movement appeals are younger people of European descent and stylistic flair, then so be it. But there is a larger problem. As I continued my research, memories from my own spiritual journey flooded my mind—memories of hopelessness and longing, of wanting to believe there was something more rich and diverse about Christian life than what I was experiencing in the white suburbs. There was a great sense of joy when I found an emerging church, a place where people from various backgrounds (so I thought) were gathered in one community. I quickly became a fan of the emerging church. But now, in the midst of my research, my excitement was beginning to fade.

The emerging church, or rather this particular expression of it, was in essence no different than the church environment in which I was raised. Younger and cooler, maybe, but still the same: white, middle- to upper-class, and reflecting many of the values associated with these categories. It became apparent to me that this “emerging,” postmodern church was simply the pierced and tattooed offspring of its older, modern parents.

Missing the Big Picture
Both of us, in our own cultural contexts, began to recognize that what was being presented as the future of Christianity was only a small sliver of larger changes in the church. Left out of the spotlight, and perhaps the whole discussion, was the fact that the church is going through change on a global level, not just in the West.

Part of the problem was the conflation of terms. The emerging church is popularly presented as a catch-all concept of a generational shift at work in the West, represented by specific brands such as “Emergent” or “Emergent Village,” a group of emerging church leaders who organized, established a board, gained members, and launched a Web site. There has been disproportionate coverage given to the emerging church in the Christian media and in Christian publications, exemplified by Emergent Village’s three separate book deals with major Christian publishing companies. As noted in The Next Evangelicalism, in 2000 only about 200 churches in the U.S. and the U.K. could be identified as emerging churches. Yet, there are more than 50 books with emerging church themes. In contrast, there are less than a handful of books written about, for example, the second-generation Asian-American ministry, which numbers as many as 700 churches.

Further complicating the confusion is the recent notion among some in the West that the emerging church as a whole has died. For example, in January 2010, one blogger wrote an obituary for the emerging church. The obituary characterized the emerging church as having made “many advances in the Christian church, including facial hair, tattoos, fair trade coffee, candles, couches in sanctuaries, distortion pedals, Rated R movie discussions, clove cigarettes and cigars, beer, and use of Macs”—a satirical characterization that nonetheless seems to hold a grain of truth.

Even in declaring the death of the emerging church, the focus is on its Western expression. The face and heart of the movement that was being lamented was defined by white Americans, furthering the perception that the emerging church is an exclusively Western, white expression. Even when the blogger notes the emerging church’s contributions to “women’s issues, conversations about sexuality, environmentalism, anti-foundationalism, [and] social justice,” they are put in the context of Western society.

Another example of the difficulty in understanding and using the term “emerging church” is found in a blog entry from December 2009. The blogger states that “history will most likely mark 2009 as the point of transition and maturation for the emerging church movement.” The “emerging church” being referred to is the Western expression of it; the history provided centers on events in Western countries and cultures. Yet found in the following sentence is this statement: “various streams within the movement will continue on for many years to come. For example, the biggest global emerging church event on the calendar for 2010 will take place in Brazil and be attended mostly by Latin Americans.” If the larger emerging church has many different streams, then why, if one of those streams supposedly has dried up, is the entire movement being declared dead?

In truth, the term “emerging church” should encompass the broader movement and development of a new face of Christianity, one that is diverse and multi-ethnic in both its global and local expressions. It should not be presented as a movement or conversation that is keyed on white middle- to upper-class suburbanites.

Finding a Balance
In search of some much-needed perspective, we spoke with a number of people in Emergent Village. Do they think the emerging church is truly dead? If not, where is it headed and what does it have to offer?

Emergent Village participants interviewed for this article held the same general belief: The emerging church is not, in fact, dead. Both David Park, who had previously been involved with the Metro Atlanta Emergent Cohort, and Anthony Smith, a member of the Emergent Village Coordinating Group, noted that if anything about the emerging church has died, it is the novelty, hype, and commercialism given to it by the Christian publication industry.

“Christian [publishing] took the emerging church from 0 to 60 in a matter of seconds,” Park said. On this same note, Rebecca Cynamon-Murphy, co-host of a Chicagoland Emergent cohort, said that “the emerging church has a number of people of privilege, and the Christian publishing companies handed the keys over to them.” According to Cynamon-Murphy, this led to difficult choices for those who wished to use the published materials as a means to effect real change. Waning attention from the media could likely prove to be beneficial, said Park, allowing more space for those in the emerging church to “get on with the work.”

Cynamon-Murphy and others, such as Julie Clawson, a member of the Emergent Village Council (Emergent’s leadership group), spoke of changes and shifts occurring within the church, both in its larger sense and in the Emergent context. “The conversation [in the larger church] is shifting from a belief-based system to a relationship-based system,” said Cynamon-Murphy, a perspective she believes matches that of Emergent and which will help bring about real transformation and liberation focused on people of all backgrounds, not only the privileged. In words echoing our own experiences, Clawson noted that the emerging church is moving away from its “initial expression as something cool, fun, and trendy,” and toward the “hard work of building its identity,” which includes recognizing the important role of missions in the life of the church.

So if the emerging church is still alive and well, what is the next milestone on its path? Many feel it’s the difficult and challenging work of racial reconciliation. Melvin Bray, a member of Emergent’s Village Council, discussed the importance of the emerging church working toward a “wider voice [being given to] a wider breadth of people.” More specifically, Bray said that the emerging church should seek to become an agent in “creating opportunities for those who, in the past, have been marginalized.” This would direct the conversation away from being centered “exclusively on a Western theological perspective,” giving those who have long been subordinated to colonialism an opportunity to “deconstruct non-helpful religious constructs” and engage God in their own ways.

In talking about racial reconciliation, Anthony Smith said there is a difference between racial diversity and racial justice. Simply including people from ethnic minorities in events and leadership positions is not enough. Doing so may create the appearance of racial diversity, but this would only be a surface solution. Instead, the emerging church must engage in what Smith calls “racial penance,” a situation in which there is true justice between people of different ethnicities, allowing the church to “get rid of Western, white captivity.” Smith said that “friendship is important for repentance” and that “isolation is dangerous.”

The way these concepts are communicated—especially to younger people—is very important, according to Alise Barrymore, pastor of a self-identified emerging church called the Emmaus Community. Specifically, said Barrymore, the emerging church needs to offer “new language and tools to help the next generations understand church.” This, combined with the drive for racial reconciliation and justice, will be crucial for ethnic churches such as the African-American church, which places high value on “negotiating the [role] of race.” Failure to effectively engage individual cultures on their own terms will result in “not translating ideas into language that is accessible and understandable to others,” said Clawson, creating a barrier to the spiritual and social progress the emerging church seeks.

An Emerging Future?
Members of the Emergent movement are optimistic that a more ethnically diverse and inclusive future is possible. Has there been a shift in Emergent? One of the major developments in recent years is that the more visible faces and names from the early years have moved on from leadership in the emerging church, and Emergent Village is now in the process of building an identity that doesn’t rely on these well-known people.

If the white male locus of Emergent is truly passé, then Emergent has the opportunity to become a part of the larger stream of the real emerging church. If the label of the emerging church is to have a future, then the term needs to be reclaimed and disassociated from the specific brand of Emergent, and applied much more broadly to the church around the world.

The burgeoning church is not just a small sliver of American Christianity; rather, it must be seen in the context of a larger movement of God on a global scale. The real emerging church is global and multi-ethnic—and a truly international, truly diverse emerging church has great potential to bring about authentic, deep revival to the world.

Soong-Chan Rah is Milton B. Engebretson associate professor of church growth and evangelism at North Park Theological Seminary in Chicago and the author of The Next Evangelicalism: Freeing the Church from Western Cultural Captivity. Jason Mach is a student at North Park Theological Seminary.

What is the Emerging Church?
On its face, the emerging church is a decentralized Christian movement exploring what it means to follow Jesus in our postmodern age.

Since it is cross-denominational and cross-cultural, however, expressions of emergence vary widely, encompassing everything from evangelical conversations about being culturally relevant to mainline liturgical renewals, from a rediscovery of social justice among suburban Christians to new monastic communities among the urban poor, from provocative theological discussions to postcolonial reconciliation movements (to name just a few). These culturally and theologically diverse streams are discovering together how to move the faith forward into the 21st century.

Transparently open-sourced, the emerging conversation includes anyone who desires to lend her voice to it. Emergent Village serves as one facilitator of this conversation, resourcing and connecting people to the diversity of emerging voices worldwide.

Theological discussions sparked by leaders in Emergent are often met with controversy, especially when they challenge traditional Western assumptions about the gospel and encourage the voices of women and other cultural minorities. Nevertheless, both Emergent and the broader emerging movement are navigating what it means to practice sustainable faith in a globalized and postmodern/postcolonial world, and hopefully helping the church universal better understand and celebrate the beautiful plurality of Christian expressions worldwide.

Julie Clawson is author of Everyday Justice and a member of the Emergent Village Council.

Overcoming Resistance
I’m glad that Soong-Chan Rah and Jason Mach have addressed some important questions about this wide-ranging phenomenon known as emerging church. I might address a few small details differently. For example, while I’m very happy to see that many new churches are being planted, for a lot of reasons I don’t think it’s particularly helpful to brand and count them as “emerging” or “emergent” or whatever. What’s far more significant to me are wide-ranging changes in outlook among a wide range of leaders in both new and existing churches—Catholic, mainline Protestant, Pentecostal, evangelical, etc.

But small quibbles aside, I am in full agreement that we need to understand the real story in terms of a shift away from white, Western, male hegemony and homogeneity. For many years I’ve believed that “the postmodern conversation” in the West was one side of the coin, and the more interesting side was the postcolonial conversation arising in the global South.

To me, deep, theological conversations about the shape and purpose of the gospel, along with issues of justice—racial, environmental, and economic—are far more urgent and important than arguments about what goes on in church services, as valuable as church services are. The way forward must involve—and not just in a token way—exactly the kind of diversity Soong-Chan and Jason call for. The systemic resistance to this diversity is subtle but strong, and its consequences are sad. Many of us have been working quietly behind the scenes in hopes that this resistance can, by God’s grace, be overcome.

Brian McLaren’s most recent book is A New Kind of Christianity: Ten Questions That Are Transforming the Faith.

A Broken Church, Renewed
The church at its best is a messed-up, broken witness to the grace of God, and at its worst a suffocating, power-seeking, patriarchal, and divisive body. If the emerging church reflects some of the values of the “capitalist entertainment empire,” it also has generated an enormous amount of creativity and freedom to question structures and texts and power. Certainly other communities all over the world are generating similar freedoms.

The church I serve is diverse. The congregants are old and young, from Catholic, mainline, fundamentalist, and atheist backgrounds, gay, straight, working class, intellectual, Buddhist, Quaker, drunks, in recovery, artists, and musicians. They are square, circular, zigzag, hyphenated, and occasionally Republican.

Despite these differences, there is a commonality to the people who end up at our church as well. They are usually not wealthy. They tend to question a lot about mainstream society. They are often of European descent. I would not hold us up as the face of the future of American Christianity. That would be silly, scary, and boring. Every manifestation of the church reflects some of the aberrations and illusions of the culture it lives in. Hopefully it also reflects the entirely life-giving love of God.

Debbie Blue is pastor of House of Mercy in St. Paul, Minnesota and author of Sensual Orthodoxy.

Is the Emerging Church for Whites Only? By Soong-Chan Rah and Jason Mach, with responses by Julie Clawson, Brian McLaren, and Debbie Blue. Sojourners Magazine, May 2010 (Vol. 39, No. 5, pp. 16). Cover.

God in the mosh pit, part II

I was not intending to write a second blog about another experience at a hardcore show, but this one just kind of came to mind and I couldn’t let it go untouched. Last Saturday night I went to see one of my new favorite hardcore/metalcore bands play at the Hawthorne Theater in Portland. The Devil Wears Prada (also known as TDWP) (yes, they got their name from the book, but for a different reason) is a hardcore band from Dayton, Ohio and are what some in the evangelical subculture would consider a “Christian” band. Since the band’s first record in early 2006 I have been a devoted fan.

The name of the band came when one of the band members read Lauren Weisberger’s critically acclaimed novel The Devil Wears Prada. The story is about a controlling, stylish-New York fashion magazine editor who is known for her stuck up, selfish attitude, and is referred to as “the Devil incarnate” by some of her employees. From the reference to fashion comes the catchy title, The Devil Wears Prada.

TDWP lead vocalist Mike Hranica states the band’s name, while from the novel, is about the concept of how the devil uses materialism and consumerism to remove our focus from loving God. Hranica stated in an interview, “if the devil were walking around, he would be wearing Prada or Gucci, or some super expensive clothing just so he could go around and be like, ‘Yo! Check out what I’m wearing! I’m wearing this sweet stuff!’ God, on the other hand, would be walking around wearing rags because he wouldn’t care. He’d be like, ‘You know what? I’m clothed; it’s all good. I am just as good as all these other people walking around.’”

The show was intense as mind blowing, as I was expecting, but I noticed something in particular that I’ve never really noticed before. I think music is certainly a gift from a loving God who created us to be creative and reflect His love. I’ve noticed that when I’m at most rock shows, up close and squished between sweaty bodies of people I’d probably avoid if I saw them on the street, this overwhelming sense of passion begins to overtake my body, and with the adrenaline rush from the live show, I all of a sudden I feel like I am capable to take on anything and save the world. I’ve noticed that I frequently find myself thinking of social justice initiatives and global peace advocacy when I am with that crowd, rocking out! I’m sure it sounds strange, so let me clarify a few things.

I’ve always had a strong connection with music that is different than just enjoying a song or a band. I seem to really find myself and often find God in music in more often than in nature or in a story. Music just seems to have a special place in my life. Historically, throughout American Evangelical History, metal music has been primarily associated with the demonic influence, Satanism, and evil. The sound of people screaming lyrics seems to resemble more the shriek of demons and appear to be filled with anger rather than the “baah”of a lamb or the peaceful sound of a babbling brook. However I think I see things a bit differently.

When I’m at a hardcore show or even just listening to metal and hardcore music, I envision the screaming and fast paced music more like the roar of the Lion of Judah as He wages war against injustice and sin rather than Satan torturing a soul in Hell. I believe that there will certainly come a day where God will judge the living and the dead and there will be a great war between good and evil and evil will be destroyed.

On the contrary, when I’m enjoying mellow, slow, acoustic music, I envision myself basking in the awe of God’s presence and enjoying His blessed creation. With this sentiment in mind, I wonder if this is how God uses music to connect to us, His creation. It’s one thing to sing a song; it’s another thing to be completely swept away, in awe of grace, joy, beauty, and wonder.

Furthermore, I cannot seem to get over the fact that God uses music and art as a platform to transform us and mold us into His image. I’m not talking about singing praise songs on a Sunday morning in church, I’m talking about the emotions that are drawn up when you hear your favorite band singing your favorite song and what the melody and notes crafted together create within you. While some would say it’s selfish, I think it’s an example of who God made us to be: loving, passionate, and affectionate creatures. God created us with emotions and music is just one way in which we respond with emotion.

I’ve noticed that during a live show, as soon as the band takes the stage, all of a sudden it’s as if all of those little mundane things that separate us as a culture (race, class, religion, skin color, etc) seem to melt away and for a moment we are united together, all focused on one thing, the music that we love. A common good unites us regardless of diversity.

In his captivating story, The Magician’s Nephew, C.S. Lewis depicts Aslan the Lion creating the great mystical land of Narnia by singing. Rather than stern, rigid statements and commands, Aslan’s creation comes out in the form of a beautiful, sweet song, with each note building on the previous one. The song begins to reach certain points of climax as Aslan’s creation becomes more and more beautiful and more complex. Lewis brilliantly captures a rather beautiful expression of God’s artistic ability through the use of a beautiful medium, song. Lewis weaves together the intricacies of the Creation narrative while simultaneously capturing the beauty of what the experience of creation would have been like if we were there to see it, because God said that it was good and beautiful.

There is no song or music piece that captures God’s heart perfectly, for I think if such a song existed, it would have to contain elements of heavy metal, jazz, acoustic guitar, piano, etc. The music of God is something that is so mysterious yet so revolutionary, it cannot be captured.

I believe God has written us to perform certain parts of his song called Redemption and that we all play a different tune at different times. When put together this displays a beautiful example of the true and living God. God the Father through Christ’s redemptive sacrifice given by His Spirit is a song that is being composed and written and will one day be performed. As each day goes by He is making edits and deletions of parts of that song in each one of us until it is just right. When that day comes He will return and will look at his beautiful creation once again and say, “it is good.”

Until that day, I ask you to think of what song you are singing. What music are you playing with your life? Maybe you’re destroying injustice or maybe you’re relaxing in God’s presence. Or maybe you’re playing a sad song that makes God weep and He desires to retune that song until it’s a beautiful reflection of His love for you. What song are you playing, and what song are you called to play?